Some Do Not …, Ford Madox Ford [free e novels .txt] 📗

her husband or to virtue as such, as because she had made the pact with herself out of caprice and meant to keep it. She had to have men at her feet: that was, as it were, the price of her⁠—purely social⁠—daily bread: as it was the price of the daily bread of her intimates. She was, and had been for many years, absolutely continent. And so very likely were, and had been, all her Moiras, and Megs, and Lady Marjories⁠—but she was perfectly aware that they had to have, above their assemblies as it were, a light vapour of the airs and habits of the brothel. The public demanded that⁠ ⁠… a light vapour, like the slight traces of steam that she had seen, glutinously adhering to the top of the water in the crocodile-houses of the Zoo.

It was, indeed, the price; and she was aware that she had been lucky. Not many of the hastily-married young women of her set really kept their heads above water in her set: for a season you would read that Lady Marjorie and Captain Hunt, after her presentation at Court on the occasion of her marriage, were to be seen at Roehampton, at Goodwood and the like: photographs of the young couple, striding along with the palings of the Row behind them, would appear for a month or so. Then the records of their fashionable doings would transfer themselves to the lists of the attendants and attachés of distant viceregal courts in tropics bad for the complexion. “And then no more of he and she,” as Sylvia put it.

In her case it hadn’t been so bad, but it had been nearish. She had had the advantage of being an only daughter of a very rich woman: her husband wasn’t just any Captain Hunt to stick on a viceregal staff. He was in a first-class office and when Angélique wrote notes on the young ménage she could⁠—Angélique’s ideas of these things being hazy⁠—always refer to the husband as the future Lord Chancellor or Ambassador to Vienna. And their little, frightfully expensive establishment⁠—to which her mother, who had lived with them had very handsomely contributed⁠—had floated them over the first dangerous two years. They had entertained like mad, and two much-canvassed scandals had had their beginnings in Sylvia’s small drawing-room. She had been quite established when she had gone off with Perowne.⁠ ⁠…

And coming back had not been so difficult. She had expected it would be, but it hadn’t. Tietjens had stipulated for large rooms in Gray’s Inn. That hadn’t seemed to her to be reasonable; but she imagined that he wanted to be near his friend and, though she had no gratitude to Tietjens for taking her back and nothing but repulsion from the idea of living in his house, as they were making a bargain, she owed it to herself to be fair. She had never swindled a railway company, brought dutiable scent past a customhouse or represented to a secondhand dealer that her clothes were less worn than they were, though with her prestige she could actually have done this. It was fair that Tietjens should live where he wished and live there they did, their very tall windows looking straight into those of Macmaster across the Georgian quadrangle.

They had two floors of a great building, and that gave them a great deal of space, the breakfast-room, in which during the war they also lunched, was an immense room, completely lined with books that were nearly all calf-backed, with an immense mirror over an immense, carved, yellow and white marble mantelpiece, and three windows that, in their great height, with the spideriness of their divisions and their old, bulging glass⁠—some of the panes were faintly violet in age⁠—gave to the room an eighteenth century distinction. It suited, she admitted, Tietjens, who was an eighteenth century figure of the Dr. Johnson type⁠—the only eighteenth century type of which she knew, except for that of the beau something who wore white satin and ruffles, went to Bath and must have been indescribably tiresome.

Above, she had a great white drawing-room, with fixings that she knew were eighteenth century and to be respected. For Tietjens⁠—again she admitted⁠—had a marvellous gift for old furniture: he despised it as such, but he knew it down to the ground. Once when her friend Lady Moira had been deploring the expense of having her new, little house furnished from top to toe under the advice of Sir John Robertson, the specialist (the Moiras had sold Arlington Street stock, lock and barrel to some American), Tietjens, who had come in to tea and had been listening without speaking, had said, with the soft good nature, rather sentimental in tone, that once in a blue moon he would bestow on her prettiest friends:

“You had better let me do it for you.”

Taking a look round Sylvia’s great drawing-room, with the white panels, the Chinese lacquer screens, the red laquer and ormolu cabinets and the immense blue and pink carpet (and Sylvia knew that if only for the three panels by a fellow called Fragonard, bought just before Fragonards had been boomed by the late King, her drawing-room was something remarkable), Lady Moira had said to Tietjens, rather flutteringly and almost with the voice with which she began one of her affairs:

“Oh, if you only would.”

He had done it, and he had done if for a quarter of the estimate of Sir John Robertson. He had done it without effort, as if with a roll or two of his elephantine shoulders, for he seemed to know what was in every dealer’s and auctioneer’s catalogue by looking at the green halfpenny stamp on the wrapper. And, still more astonishingly, he had made love to Lady Moira⁠—they had stopped twice with the Moiras in Gloucestershire and the Moiras had three times weekended with Mrs. Satterthwaite as the Tietjens’ invités.⁠ ⁠… Tietjens had made love to Lady Moira quite prettily and sufficiently to tide Moira over until she was